News/Commentary
Thank You, Daniel and Stephanie! Your Wedding Prompts Memories of St. Paul's 99 Year Old Church in San Francisco's Noe Valley
June 21, 2010 by Judy Vaughn
Reprinted from The Noe Valley Voice, June 2010, Illustration by Royce H. Vaughn, "St. Paul's Church Before the New School Was Built," watercolor painted from Potrero Hill in 1996. Available on notecards.
The Spires Are Back!
When you've lived in San Francisco's Noe Valley forty-seven years and regularly walk the hills from 24th Street to the Mission, you sense the rhythm of the landscape, how it often changes...and sometimes never changes at all.
You notice when the leaves turn red and fall at your feet.
You look to the East Bay skyline in the distance and say, Wow! how great to live on these hills.
You wonder what it would have been like when there were only cows from the Mitchell Dairy Farm grazing on the slopes beyond 29th.
The twin spires of St. Paul's Catholic Church, newly tiled and whitewashed, are a reminder of how things used to be. And, after seven months shrouded in black netting, they're finally in full view again.
From September 2009 until April 2010, parishioners walked through two-story scaffolding to attend services. Outside, waiting for the J Church streetcar, sidewalk superintendents watched workmen scale the heights, hoisting up planks one at a time until they reached the golden orbs and seven foot crosses. Cab drivers took note. Out-of-town visitors craned their necks to see how the spires dominated the neighborhood.
People who live in the valley, even non-Catholics who may never actually go inside the building, have always known that. The spires can be seen from every direction -- from Potrero Hill and Bernal Heights to Diamond Heights.
Construction work, which began because a few tiles had come loose, ultimately became a production of major proportions," says Katy O'Shea, who chairs the church's capital campaign. "The slate had been there a hundred years. We couldn't afford to take a chance more would fall."
Was the work disruptive? Not really, she says. Some brides were unhappy, perhaps, that they couldn't have their pictures taken on the front steps, but vows were said, services continued and the congregation worked around it.
Early History
Demographics have shifted over the years, but there's a tangible cultural dynamic in Noe Valley that defies country of origin.
After the first Native Americans came the Spanish and Mexicans like Jose Cornelio de Bernal and Jose de Jesus Noe, the future alcalde (mayor) of Yerba Buena. Next there was John Horner, among the 258 Mormons who sailed around the Horn in 1846 looking for new land to settle. But those are other tales for other times.
For St. Paul's, the story starts with the next wave of immigrants -- the Irish.
When you're out walking the hills of Noe Valley, picture an earnest young priest from County Cork, Ireland, riding through the sand and mud on horseback in the early 1880s. One of more than a thousand missionaries sent throughout the world from All Hallows College in Dublin, Fr. Lawrence Breslin tended to 200 families in the southwestern part of the city. And on Sundays he celebrated Mass at the corner of Noe and Valley Streets.
That building, still standing, was a hospital built and later abandoned by the Italian Benevolent Society. Evidently they had hoped to offer recuperative care "out in the country" for people from town. But let's face it, town was four miles away and in those days getting out to this valley was a daunting trek. In the old days, when 28th Street was called Dale and 29th was Vale, in most directions the building was uphill, no matter how you look at it.
The First Church
To imagine the church Breslin eventually built in 1897, go to the corner of Twenty-ninth and Church and envision a modified Gothic style wooden building on the northwest corner. Think of a gas light fixture out front with a lamplighter. Stellings Grocery was nearby and the Fairmount Market, now Drewes Meat Market (Note the sign on the storefront).
Donovan's coal and wood yard was next with a saloon at Day and Church and Methodist church down the street . And let's have a tip of the hat, if you please, to Mrs. Kelly, "the genial Irish lady" who lived in one of the small cottages next door.
Resilience
Resilience is a handy word for the folks here. Remember, this is a congregation whose forbears reputedly hauled down rocks from the Castro Street quarry at the top end of 29th Street to build the present church.
These are the folks who salvaged cobblestones for the current church facade from the infamous rubble of Old City Hall after the 1906 earthquake destroyed it in 46 seconds.
These were the plucky Sisters of the Blessed Virgin Mary (BVMs) who had come out to teach from Dubuque, Iowa, and during the 1918 influenza outbreak, canceled classes to minister to the sick and dying. The church held mass funerals in the school courtyard. Church bells tolled from six in the morning until two in the afternoon.
This is the church that invited Whoopi Goldberg and crew to film on site for a couple of months in 1991 and rearranged their schedules to accommodate, even agreeing to let the family of one prospective bride paint over the film's grafitti-filled sets so their daughter's big day could be photographed ... on the front steps, of course!
And Rebuilding
These are the people who -- after the Loma Prieta earthquake and establishment of the Unreinforced Masonry Building Ordinance laws -- found the cost of retrofitting so prohibitive they had to come out fighting for their very life to save the parish.
It was painful, but the people of Saint Paul's accepted the challenge. They sold the primary and high school buildings. (They're condos now). They rebuilt the grade school from scratch.
Today, the BVM's are gone, replaced by secular teachers. But you can often see Mother Teresa's Sisters of Charity, two by two on the J streetcar and the 24 Divisadero bus, saying their beads on the way to serving the homeless downtown.
Look to the rooftop of the old grammar school convent adjoining the church. On laundry day, their clean white robes and bedclothes flutter in the fresh air.
Loyalty and Longevity
Families who were helped by the church during the Depression remain on the rolls. Graduates from the high school turn up in enthusiastic numbers for class reunions. Many, in fact, still live in the immediate neighborhood.
To describe the loyalty and longevity of old timers, O'Shea points out that Father Kevin Gaffey, himself baptized and brought up in St. Paul's parish, married three generations of one family. Think of the changes he would have seen during that time.
In the early days, he would have sung the Mass in Latin facing the altar. By the Sixties, through the innovations of Vatican II, the words he and other priests said were in the vernacular -- now English and Spanish.
Ask a neighbor about the history of St. Paul's and she's quick to pay respect to the past. " We're late to the parish," she demurs. "We've only been here 20 years...."
Even in those twenty years, there have been changes. Today, music at Sunday Mass comes from contemporary musicians playing with contemporary enthusiasm, a far cry from the Ave Marias of a century ago. After serving as extras in Whoopi's "Sister Act," this congregation has never been quite the same! As Google buses glide silently through the streets, it's likely that even techies with laptops have found their way into St. Paul's nave.
Memories Remain
When there's a hearse parked out in front of the church, you can pretty well assume it carries the body of an old time parishioner who worshipped there for many years.
When twelve bridesmaids show up on the sidewalk outside, you might not be wrong to guess the families have deep emotional ties to the building and the neighborhood.
When your family has second and third generation ties to a church like this, when reunions include the Murphys, the Ryans and the Lyons, when your dad’s dad grew up around the corner off Castro and your great grandma used to walk your grandpa and his brother to school from 27th street… such a church has special meaning.
Last year, the James Murphy family -- preparing for the wedding of their son Daniel and future daughter-in-law Stephanie this summer -- purchased a print of Royce's painting of the church (shown above) as an engagement gift for them, a reminder of the family's ties to the parish.
That gift, the newly tiled spires and years of walking on the hills surrounding this lovely valley prompted the research on this story!
Thank you, Daniel and Stephanie!
Comments (0)
April Newsletter, 2010
April 2, 2010 by Judy Vaughn
Lyle Richardson in San Mateo is opening his home Friday afternoon, April 9, for a one-man show of Royce's Vaughn's watercolors from the California Collectors' Series. The paintings are California landscapes -- including quiet back roads, the church where Alfred Hitchcock filmed "The Birds" and a view of the San Francisco City Hall dome when it used to be green. A portion of the proceeds will go to "This Little Light of Mine," a project of The Salvation Army for babies living with HIV/AIDS in St. Petersburg, Russia.
About Us
Like lots of people, the Vaughns swept into San Francisco from the Midwest with lots of dreams and little else. We joined Saint Aidan’s in the Sixties and The Salvation Army through hurricanes, earthquakes and floods.
In the neighborhood that real estate agents used to call the Western Addition, Royce created Project ABLE for talented but uninspired young people.
In the beleaguered business community on Ocean Avenue, he created a two story mural celebrating community leaders and -- joining the San Francisco Council of District Merchants – wondered if the street between two universities would ever realize its worth.
If we had come west during frontier days Royce would certainly have been sheriff and I would have tried to pretend I was Nellie Bly. Should we ever have discovered an island in the Pacific, he would have unionized the natives. I would have planned the Intertribal Annual Meeting….
Who’s the audience for this web site?
Like us, a mixed bag. People who admire the California landscape and want to send original note card memories of it to clients and friends… pilgrims on the move from Point A to Point B … idealists working to heal the cultural divide … educators who care deeply about the next generation … medievalists and historians who know a little bit about the last.
We hope you'll join us.*
###
Comments (0)
Newsletter, 2009 --Our Particular Universe, Expanded
August 13, 2009 by Judy Vaughn
|
Watercolor is still the primary medium, but historical anecdotes are increasingly on the menu at the California Collectors Series Web site featuring Royce Vaughn's original notecards and art.
The San Francisco Chronicle fell from the sky one dayAsk any guy of a certain age about the zeppelin that fell into the ocean just south of California’s Point Sur Lighthouse and he’ll tell you all about it, adding the story of its amazing “air mail” delivery to President Franklin Delano Roosevelt the year before. See it now. FDR was on the deck of an aircraft cruiser in the middle of the Pacific in July 1934 on the way to the Panama Canal. Let’s say, just for the heck of it, that he wanted to know the baseball scores from the night before and was wishing perhaps he had a copy of the newspaper sports section. Suddenly from out of the blue came two airplanes launched from the Navy’s new reconnaissance zeppelin, the USS Macon, dropping bundles of postage stamps and the San Francisco Chronicle! Yes, it was yesterday’s paper, but the point was made. By calculating the exact spot in the middle of the ocean where the President’s ship would be and racing 3,500 miles to find it, the Navy showed how accurately the Macon could perform. |
Lighthouse at Point Sur Image courtesy of JB Imaging |
And then the zeppelin fell as well
Unfortunately, the Navy’s grand aviation experiment was about to end.
Waves crash daily against the rocks of the jagged California coastline, but on February 12, 1935, the threat of danger wasn’t in the water. It was in the air.
Around 5 PM, Point Sur lighthouse keeper Thomas Henderson suddenly saw a silent, extraordinarily large shape blotting out the sun – the same shadow FDR would have seen the year before, the same shadow Tim Thomas from the Monterey Maritime History Museum once said would be like “the Titanic floating over your house.”
It was the USS Macon (three times the size of a 747 jumbo jet airplane), built for the Navy with four Sparrowhead fighter airplanes on board that could be launched and retrieved during flight. Its already damaged tail fins were severed by a coastal squall and shards of metal pierced the airship's rear gas cells. It spun out of control – up then down -- and within minutes sank into the water.
Eighty-three men had been on board. All but two survived.
The zeppelin was built in Ohio during the Depression to provide long range reconnaissance for the Pacific Fleet and for 16 months was berthed at Moffett Air Field in Sunnyvale, California, in a specially built hangar that was "large enough to hold a luxury cruise ship." People like then Stanford student David Packard, co-founder of Hewlett-Packard Company and founder of the Monterey Bay Aquarium Research Institute (MBARI), were fascinated by it. It was the last rigid-body airship built in the United States.
Early attempts to find the wreckage were unsuccessful until 1990. But in 2006 a five day, multi-agency collaborative expedition conducted a detailed archeological survey of the crash site, using a deep-diving, remotely-operated vehicle (ROV).
They found the crash site 1,400 feet below sea level spread over 75,000 square feet of the ocean floor.
References: California Lighthouses, Point St. George to the Gulf of Santa Catalina, by Bruce Roberts and Ray Jones, Globe Pequot Press; www.Moffettfield museum.org; Carolyn Jones, San Francisco Chronicle, September 27, 2006; www.underwatertimes.com, October 18, 2006
“Point Sur Lighthouse” is one of a series of watercolors celebrating California lighthouses and the historic role lighthouse keepers have played in standing watch over the coast. It was done for Andrew Heston, shown at the top of the rugged 200 foot hill.
Prints and new cards available
Matted 8x10 prints of Royce’s cards are now available, including " Lighthouse at Point Sur," "Blue Angels Over San Francisco" and "Saint Paul Church Before the New School was Built“ (better known in some circles as the site of Whoopi Goldberg’s movie, “Sister Act” and in others as the site of Stephanie and Daniel’s wedding!) Check out the collection of watercolors which stretch along the California coastline -- and inland too -- from La Jolla to Sonoma.
Thank you, Porter
Sometimes there are people who come into your life, or back into your life, just when you need them. Working with UGAL.com, Porter William orchestrated the look and feel of this Web site. Gently but aggressively, he pushed this 20th century couple into cyberspace. In the meantime, he’s built his passion for architecture and interior design into his www.worldrelics.net and his own brand of San Francisco hospitality into his newest endeavor, www.entertainingpeople.com.
How do antiques and food combine? San Francisco style, he says on his “Entertaining People” weekly TV food show on Comcast. With what he would certainly call an extra dollop of panache, he’s as likely to present food on 200-year-old reclaimed terra cotta roof tiles from Provence as he is to combine Chinese scallops with Mandarin oranges and wasabi paste. Very San Francisco….Very Porter.
Coming Attractions:
Saint Paul Spires in the Neighborhood; a "Blue Angels over San Francisco" feature from Captain Julie Richey, Deputy Director, National Air and Space Intelligence Center (NASIC), Wright-Patterson Air Force Base; referral to excellent biographical educational films from William Greaves Productions.
Stick with us! This is an island evolving in cyberspace...
###
Comments (0)
Who Is That Woman Walking In Front of Me?
June 18, 2009 by Judy Vaughn
Sue Walsh of San Francisco hiked seven miles within the Grand Canyon to raise money for the Leukemia and Lymphoma Society in 2007.
In 2008 she race-walked her first marathon, this time a 26.2 punishing miles through Rome.
So is she tired yet? Hardly. Now she's preparing to race-walk the Nike Women’s 26.2 mile Marathon on October 18, 2009, in San Francisco. And she’s thanking her donors with handwritten note cards of the Golden Gate Bridge from the California Collectors’ Series.
The way marathon participants personalize their trek on the pavement is to put on the backs of their T-shirts the names of people in whose honor they walk.
So if a walker begins to huff and puff and think no way can she go one step further, all she has to do is to look to the person in front of her and see the names of people who have been afflicted by this disease.
Among the names on Sue’s back again this year will be Pat Eberling, a woman who for over 30 years was a terrific Salvation Army social worker, consultant and friend. She died of multiple myeloma in 2007.
Look sharp, walkers. You're following Sue, and she's walking for Pat.
An ardent cheerleader for the City, Sue leads tours of the Ferry Building and North Beach by Night for San Francisco City Guides (www.sfcityguides.org) and this year co-created its popular Noe Valley tour of Victorian homes.
###
Comments (1)
California Poppies and Gold
June 5, 2009 by Judy Vaughn
|
Yes, we call it the Golden State because the sun is always shining – except in the summer, of course, when tourists are flabbergasted to find it’s not. Locals know that when it's hot in San Francisco, it's hotter in the central valley. So after a glorious day in San Francisco, that pent-up heat in the valley rises, creating a vacuum...and you know how Mother Nature abhors a vacuum. Hold onto your hat. Here comes the cold air rushing in from the ocean to fill it up. Copa del oro (cup of gold). That's what Spanish settlers called the golden California poppy(eschscholzia californica),citing a legend that its petals turned to the gold which filled the soil. Natives prized it for food and oil extract. Now our State flower, it's also the logo of California Collectors' Series. To understand why we like it, fly from Yosemite over a hillside of poppies some day. Watch as everybody on the plane huddles at the windows while the pilot makes a circle around to gawk. Sailing up the Pacific Coast in the 18th century from the south, the Spanish would have seen enormous fields of these native wildflowers. German botanist Adelbert Von Chamisso, who named them in 1816, was also a poet. Imagine his wonder at seeing hillsides of orange. And, finally, there's the Gold Rush-- golden for some, slim pickings for others. In 1848 there were roughly 400 people in this town we now call San Francisco, half of them Mormons who had come around the Horn to escape persecution and settle in a new territory. In 1849 after their leader -- that enterprising entrepreneur Sam Brannan -- marched through the streets shouting that gold had been found on the American River, the rush began! More than 600 ships from all over the world arrived. And many never went home. Crews jumped ship and immediately headed for the hills, stopping, of course, at Sam's hardware store to buy their shovels. When they returned, some were rich but more were poor. And suddenly the population of the town had jumped to 40,000! Historian Charles Fracchia describes it best. San Francisco was an “Instant City.” Check out note cards on the main menu to find the California Collectors' Series card of "The Bridge at Sutter's Mill" where gold was first discovered. ### |
From the Ernest Clayton Collection of California Wildflowers Image courtesy of the |
Comments (0)
Lord, We Are Able
May 19, 2009 by Judy Vaughn
Royce Vaughn named his California Collectors' Series for people who appreciate and collect fine art. The name he chose for his greatest success story with teenagers comes from the chorus of an old Methodist hymn, "Lord, We Are Able."
Make the last word a practical acronym, ABLE. "Arts and Business Learning Experience." In addition to describing what motivates him, ultimately it became a specific program for talented but unmotivated young people.
Art is his overriding passion. Every segment of his life has revolved around it. Business, oh my! that's the business of making passion profitable. Ask any artist from the beginning of time how that works. Learning, it never stops. Look at the bookshelves on every floor of this house. If a book has been written on the subject, he wants it. If it's not in its proper place, woe to the housekeeper who has moved it. Experience comes with the territory. Royce has always opted to be a trailblazer. And the territory has no boundaries.
Teaching Kids Film, Photography and Videotape
In the late Sixties at San Francisco State where he worked in the Audio Visual Department, Royce and philosophy professor Art Bierman conceived the idea for ABLE -- a film, photography and videotape training program for young people.
Networking is Royce's middle name. Soon he had partners like the Neighborhood Arts Alliance, the Redevelopment Agency, the Department of Labor and local corporations like Fibreboard and Kaiser Industries.
Ultimately the building loaned by Redevelopment at 2209 Bush Street was renovated with friends hammering nails and often applying dry wall late into the night. Opening weekend was stunning. Several hundred guests arrived, all excited about ABLE's potential. Professional filmmakers offered to teach. The phone rang incessantly. Eventually nearly $500,000 was raised in grants, including $250,000 from the Ford Foundation. And when it was time to move on, another building with expanded darkroom and meeting space was renovated at 641 Golden Gate with the same kind of enthusiasm, the same nail hammering, the same dry wall, the same intensity.
"They taught me far more than any professor I ever had!"
Throughout its ten years of life, students signed on eagerly as they learned about themselves and the profession. "They were so excited," Royce remembers. "You didn't have to tell them to come in early in the morning. They just did. Came in every day with things to do and places to go. They were up and down the street taking pictures from every angle. And they couldn't wait to get into the darkroom to see the results. It was a decade in which a great deal of happiness and fulfillment came through ABLE and those kids. They weren't just students. They were associates. Like students of the Greek philosophers, they were my teachers. They taught me far more than any professor I ever had. "
Go to boxed sets on the California Collectors Series main menu to see ABLE photos. Proceeds from sales of cards in the "Lord, We Are ABLE" and "Tuxedo Series" will go to The Salvation Army.
###
Comments (0)
The Rain It Hath a Friendly Sound
May 5, 2009 by Judy Vaughn
“The rain it hath a friendly sound to one who’s six feet underground.” That’s what the youthful poet Edna St. Vincent Millay used to say.
As a gentle, much-appreciated rain is falling today, I think about 91-year-old Colonel Marie Koerner, whose funeral was yesterday. I think of her body lying in The Salvation Army plot at Cypress Lawn Cemetery in Colma, California. And I think of the lovely phrase Salvationists use to say that a person from their ranks has died.
“Promoted to Glory!”
In other words, Salvationists not only believe in heaven, they believe it’s something to be accepted and embraced, an assignment with eternal rewards. Would there be a contingent of former colleagues on hand at the Pearly Gates waiting to welcome the gentle Marie? Of course, smiled the officers in unison.
The Salvation Army grew out of the Methodist Church, so the service brought back memories of a long time ago, hymns from out of the past, songs that once you know you can sing by heart.
Some songs, like some poems, stay with you forever.
Marie Koerner and her husband Henry served as career officers in The Salvation Army’s Western and Central territories. They were avid historians and invaluable resources to the writing of “The Bells of San Francisco, The Salvation Army with its Sleeves Rolled Up.” Proceeds from the sale of California Collectors' Series black and white photgraphic note cards from the "Lord, We Are ABLE" and "Tuxedo Series" go to The Salvation Army.
Comments (0)
SF Symphony Store Carries California Collectors' Note Cards
April 29, 2009 by Judy Vaughn
The San Francisco Symphony Store is now carrying scenic note cards created by watercolor artist Royce H. Vaughn of the California Collectors’ Series.*
Give Modest Mussorgsky credit for making it happen.
Vaughn is an ardent fan of Mussorgsky’s “Pictures at an Exhibition” as arranged by Ravel. As he walked into a Thursday afternoon matinee at Louise M. Davies Symphony Hall, he spoke glowingly of a performance he had heard years ago. That one had been directed by Fritz Reiner of the Chicago Symphony and Vaughn’s memory could hardly contain the feelings he had watching it as a young college student. He was sure no one could match the excitement of that day.
However, a standing ovation in San Francisco had a similar effect. In an ironic turn of events, both conductors Oliver Knussen and then Alasdair Neale called in sick. Donato Cabrera filled in and brought down the house!
Filled with the exuberance that filled the auditorium, marveling over the precision of the violins and drama of the percussions, humming the grand finale, Vaughn marched into the symphony store proposing that they carry note cards representing pictures from his own body of work.
His enthusiasm showed. Within the week, his cards were in the shop.
*California Collectors’ Series cards can be found on the main menu under “Note Cards” or “Boxed Sets.” 11x17 prints are available by special order.
Comments (0)
Mission Dolores School Students Are Terrific!
April 22, 2009 by Judy Vaughn
Always, always, this California Collectors Series web site starts out with the premise of creativity. We paint. We photograph. We write. And boy, do we love it when we see kids who care about learning. Recently a group of eighth graders from Mission Dolores School in San Francisco visited Grace Cathedral. What a group! They had done their homework. They were respectful, energetic and full of lively questions!
Their thank you letters took note of the commemorative AIDS “blanket” in the healing chapel, making a pilgrimage through the “really mellow” labyrinth, seeing that the church is open to all faiths, learning the role Bishop James Pike played in completing the structure and the profound sadness they sensed in the “Wounded in America” exhibit deploring gun violence. They left prayers “stored” in candles they lit throughout the church.
The mural of Saint Francis was a big hit, of course. And Saint Clare with her long beautiful hair about to be shorn. The illustration of the Portiuncola chapel in Assisi intrigued them, as well as information about the facsimile built by Angela Alioto at the corner of Columbus and Vallejo. Added to that was another piece of pertinent information
What kind of nickname would St. Francis have had? Author Donald Spoto who wrote “Reluctant Saint, The Life of Francis of Assisi,” says the early Italian nickname for Francisco or Francesco was Sco!
To our knowledge, nobody ever called him Frisco!
The California Collectors' Series has note cards featuring Mission Dolores. See "Lord, We Are ABLE" boxed sets on main menu. Proceeds for this series go to The Salvation Army.
Comments (0)
PIlgrimage at Grace Cathedral
April 7, 2009 by Judy Vaughn
In the Middle Ages, people usually went on pilgrimages for three basic reasons: 1) to ask for healing; 2) to give thanks for healing; or 3) to ask forgiveness.
On the Labyrinth at Grace Cathedral in San Francisco, California, visitors make pilgrimages daily.
It’s a trek. Whether they come from across the continent or across the world, they've made a pilgrimage to get to the cathedral...even if all they did was climb the California Street hill!
In the courtyard and again inside, a labyrinth beckons. It's a vehicle for meditation. A symbolic pilgrimage. A metaphor for life, if you will. Start at the beginning. Keep on the path. Follow the rules. And you WILL reach your goal. Of course, when you think you’re almost there and ready to sit back and savor your success, it may seem as if you have to go all the way back to the beginning. And while you're bemoaning the fact that you’re far away and never, ever going to get ahead, hurrah, suddenly the path opens up right in front of you! Be respectful of the people you meet going forward, say the sages who know such things. You’ll probably meet those same guys on the way back.
Children chase each other joyously through the intricate design. Adults, seeing it for the first time, tend to avert their eyes as if to say, “Better wait until no one is looking.” But eventually, even they realize no one’s really watching. One person inches forward, lost in his thoughts. Others briskly pass him by.
Last year, on the fifth anniversary of the war in Iraq, the American Friends Service Committee created a very special pilgrimage at the cathedral by placing more than fifty pairs of combat boots on the labyrinth. Some were old and beat up. Some were brand new. Each had a name tag with the name of the person who had died wearing them. It was crowded and quite astounding. As many as a dozen people at a time walked the path, stopping every few steps to remember the Northern California troops whose boots they passed.
Outside on the cathedral steps were hundreds of other shoes -- high heeled pumps, baby shoes, house slippers. These were civilian shoes -- a silent salute to families whose lives have been touched by the war. Again, a powerful sight.
A year later, the fighting continues. As of April 5, a total of 4,585 troops had died.
California Collectors' Series does not currently have a note card depicting Grace Cathedral. However, we have a close connection with the Cathedral's docent program. In preparation for a trip to Ravenna, Italy, and in general preparation for a better understanding of world religions, we continue to look for ways that profound ancient ideas have found their way to the present.
Comments (0)

